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Mahi means fish in Farsi, and the Mahi design is one of the most celebrated patterns in Persian carpet weaving. The motif consists of countless stylised fish arranged around a central flower, creating a rhythmic pattern that spreads across the entire field. According to ancient Persian traditions and Zoroastrian symbolism, the fish is associated with protection, while its connection to water links it to life, fertility, and sustenance. For this reason, the design has remained popular for centuries and continues to carry layers of meaning beyond its decorative appeal.
This beautiful example was woven in the town of Sarab in northwestern Iran during the early 20th century. It bears the name of Master Mashayekhi, under whose supervision and direction the carpet was produced. Like many of the great masters of the period, Mashayekhi was responsible for overseeing the quality of materials, colours, design, and workmanship, ensuring that every carpet leaving the workshop met the highest standards.
The rug was woven using excellent wool and natural dyes, materials that have allowed it to mature gracefully over time. The intricate Mahi pattern rewards close observation. From a distance, the carpet appears balanced and orderly; from nearby, thousands of individual motifs emerge, revealing the extraordinary effort and patience invested in its creation. The rich border and finely drawn medallion further enhance its elegance and visual depth.
Structurally sound and woven with integrity, this is a carpet built to endure. Beyond its beauty, it carries centuries of symbolism, craftsmanship, and cultural memory. It is a piece that can enrich a room not only through its aesthetics but also through the stories, conversations, and reflections it inspires. It remains a testament to the artistic standards maintained by the great workshops of northwest Iran during one of the finest periods of Persian carpet production.
Mahi means fish in Farsi, and the Mahi design is one of the most celebrated patterns in Persian carpet weaving. The motif consists of countless stylised fish arranged around a central flower, creating a rhythmic pattern that spreads across the entire field. According to ancient Persian traditions and Zoroastrian symbolism, the fish is associated with protection, while its connection to water links it to life, fertility, and sustenance. For this reason, the design has remained popular for centuries and continues to carry layers of meaning beyond its decorative appeal.
This beautiful example was woven in the town of Sarab in northwestern Iran during the early 20th century. It bears the name of Master Mashayekhi, under whose supervision and direction the carpet was produced. Like many of the great masters of the period, Mashayekhi was responsible for overseeing the quality of materials, colours, design, and workmanship, ensuring that every carpet leaving the workshop met the highest standards.
The rug was woven using excellent wool and natural dyes, materials that have allowed it to mature gracefully over time. The intricate Mahi pattern rewards close observation. From a distance, the carpet appears balanced and orderly; from nearby, thousands of individual motifs emerge, revealing the extraordinary effort and patience invested in its creation. The rich border and finely drawn medallion further enhance its elegance and visual depth.
Structurally sound and woven with integrity, this is a carpet built to endure. Beyond its beauty, it carries centuries of symbolism, craftsmanship, and cultural memory. It is a piece that can enrich a room not only through its aesthetics but also through the stories, conversations, and reflections it inspires. It remains a testament to the artistic standards maintained by the great workshops of northwest Iran during one of the finest periods of Persian carpet production.