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Isfahan is one of the most magnificent cities of the Persian Empire, situated in the centre of the country. During the Safavid dynasty, particularly under the reign of Shah Abbas the Great, the city became the capital of the empire and one of the most glorious cultural centres of the 17th century world.
The court of Shah Abbas and the Safavid kings actively patronised artists, architects, philosophers, and craftsmen. This encouragement created an extraordinary renaissance of art, architecture, philosophy, and craftsmanship. Carpet weaving flourished during this remarkable period and reached one of its highest levels of refinement.
Among the most celebrated designs of the Safavid era is the Shah Abbasi pattern, recognised for its elegant floral forms and harmonious compositions, often arranged around a central medallion. The stylised flowers, sometimes resembling vertically cut blossoms, became one of the most iconic motifs of Persian carpet design.
This magnificent Isfahan carpet follows that classical tradition. It is an extremely fine piece composed of nearly six million knots, each tied carefully by hand. The precision of the design is achieved through the use of a naqsha, a design drafted on graph paper in which every square represents a single knot. By assigning a colour to every square, the designer allows the weaver to translate the drawing into a textile with extraordinary precision.
The creation of such a carpet requires far more than the months spent at the loom. Before weaving begins, artisans prepare the finest wool, spinning it into delicate yarn. The yarn is then dyed using natural dyes to produce a rich and harmonious palette. At the same time, the designer spends weeks and sometimes months preparing the naqsha, carefully outlining the design and colouring each square individually.
The result is a masterpiece of remarkable clarity and refinement. The deep navy field contrasts beautifully with the rich red borders, while a wide range of subtle colours brings the intricate floral composition to life.
This particular carpet bears the signature of the master weaver Bagheri, whose name appears at the lower end of the rug. Signed pieces such as this reflect the pride of the craftsman and the exceptional level of artistry involved.
A carpet of this calibre is far more than a decorative object. It represents centuries of Persian culture, craftsmanship, and aesthetic refinement, and stands as a true work of art.
Material: Wool pile on silk foundation
Origin: Isfahan, Persian Empire
Signature: Bagheri
Knots: Approximately six million hand-tied knots
Design: Shah Abbasi medallion design
Size: 305 × 200 cm
Isfahan is one of the most magnificent cities of the Persian Empire, situated in the centre of the country. During the Safavid dynasty, particularly under the reign of Shah Abbas the Great, the city became the capital of the empire and one of the most glorious cultural centres of the 17th century world.
The court of Shah Abbas and the Safavid kings actively patronised artists, architects, philosophers, and craftsmen. This encouragement created an extraordinary renaissance of art, architecture, philosophy, and craftsmanship. Carpet weaving flourished during this remarkable period and reached one of its highest levels of refinement.
Among the most celebrated designs of the Safavid era is the Shah Abbasi pattern, recognised for its elegant floral forms and harmonious compositions, often arranged around a central medallion. The stylised flowers, sometimes resembling vertically cut blossoms, became one of the most iconic motifs of Persian carpet design.
This magnificent Isfahan carpet follows that classical tradition. It is an extremely fine piece composed of nearly six million knots, each tied carefully by hand. The precision of the design is achieved through the use of a naqsha, a design drafted on graph paper in which every square represents a single knot. By assigning a colour to every square, the designer allows the weaver to translate the drawing into a textile with extraordinary precision.
The creation of such a carpet requires far more than the months spent at the loom. Before weaving begins, artisans prepare the finest wool, spinning it into delicate yarn. The yarn is then dyed using natural dyes to produce a rich and harmonious palette. At the same time, the designer spends weeks and sometimes months preparing the naqsha, carefully outlining the design and colouring each square individually.
The result is a masterpiece of remarkable clarity and refinement. The deep navy field contrasts beautifully with the rich red borders, while a wide range of subtle colours brings the intricate floral composition to life.
This particular carpet bears the signature of the master weaver Bagheri, whose name appears at the lower end of the rug. Signed pieces such as this reflect the pride of the craftsman and the exceptional level of artistry involved.
A carpet of this calibre is far more than a decorative object. It represents centuries of Persian culture, craftsmanship, and aesthetic refinement, and stands as a true work of art.
Material: Wool pile on silk foundation
Origin: Isfahan, Persian Empire
Signature: Bagheri
Knots: Approximately six million hand-tied knots
Design: Shah Abbasi medallion design
Size: 305 × 200 cm