Qazvin is one of those weaving centres whose finest pieces often hide behind the fame of neighbouring cities. For decades, many of the best Kashans were casually labelled “Qazvin”, yet true Qazvin rugs from the early 20th century are far rarer than most assume. Before World War II, the 1962 earthquake, and the industrial rebuilding that followed, the city had a number of active looms producing exquisite rugs in the classical urban style, alongside vibrant village pieces woven by Shahsavans, Afshars and a strong Armenian presence in the surrounding districts. What survived from that era reflects a remarkable blend of taste, craftsmanship and unmistakable artistic confidence.

The piece here is a beautiful example from that period, most probably woven in the 1930s. It carries no signature, yet its refined drawing, disciplined structure and superb palette are all hallmarks of Qazvin’s best work. The colours, entirely from natural dyes, remain astonishingly fresh, a sign that the rug was most likely never used. Its condition is virtually perfect, allowing the viewer to appreciate the design exactly as it left the loom almost a century ago.

The layout is classic yet spirited, echoing the Kashan tradition while retaining its own identity through lively floral work, elegant spacing and a sense of rhythm unique to Qazvin workshops of the time. The composition feels both rich and controlled, the mark of a master designer whose naqsha balanced precision with a sensitive eye for harmony.